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Showing all news in Opinions & Analysis
Addressing the climate emergency and improving relationships with Indigenous Australians and Pacific Islanders means building people-to-people exchange, according to our new British High Commissioner.
Opinions & Analysis
What do we tell young people in a time when hope for the future is in danger of extinction? Australian Young Adult (YA) authors discuss writing and responsibility in this dystopian age.
With the announcement last week of changes to the MPAF, Australia Council's CEO Adrian Collette responds congratulating the ministers involved.
China’s influence in the arts has long been tied to its political goals. Alison Carroll looks at how it has become more insidious in recent years.
David Gulpilil is one of Australia's great actors. Here is an extract from his biography written by Derek Rielly.
Disney+ releases almost the full list of its (US) debut content. Maybe it wll be just too musty to rule the world.
Dips in financial markets are having an impact on art sales which has a knock-on to sales of artworks. What can be done to keep to keep the market healthy.
Dealer Michael Reid give us a transparent 101 of the cost, and benefits, of art fairs in a changing market.
Just 29 companies receive 59% of Australia Council funding. More than 700 artists and arts workers are calling for a change.
From VR to porcelain echidna quills, Linear is a fresh reframing of line and lineage in Aboriginal culture and design, opening at Powerhouse Museum.
All the major streaming providers are playing electronic chess to capture your gaze. Here is a glimpse of the ABC's game.
Arts and wellness educator Molly W. Schenck talks about how to have tough conversations in art without traumatising collaborators.
Following the damning findings of the Digital Platform Inquiry, Facebook is investing in local news media. This intervention could do more harm than good.
NZ Prime Minister champions the role of wellbeing through the arts, and the role we can all play in valuing, and sustaining, the careers of our artists.
What happens when a battered significant film festival is taken over by the significant art gallery for the same city? Not bad at all says Sarah Ward.
Appealing to Australian values works for Ride Like a Girl, but the whole idea is a quiet cinematic battleground. The Conversation offers some thoughts on the legendary Hoges.
Nia Pericles reflects on the pain and joy of making a film about her mother's dementia. The film has been quietly gripping audiences on ABC iView.
Seph McKenna was a key executive at Roadshow Films when it distributed a truly Australian breakout. He says these films tell us a lot about what we really want to see.
A new report says cultural funding ‘reached its highest point ever’ in 2017/18 – but the real story is a lot more complex.
While the UK tears itself to pieces, the BBC argues for a role which illuminates our own Australian dilemmas.
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