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Showing all news in Latest News
Melbourne Art Fair comes back pushing the boutique line and dealers give the new format the thumbs up.
One hundred years ago, Lottie Lyell made a feminist film in South Australia. Now there's a $20,000 award in her honour female filmmakers working in the state. Also open for applications, the Natalie Miller Fellowship.
ArtsHub speaks with some of the winners of this year’s Creative Partnership Awards about the value of philanthropy, and the challenges that private giving still faces in Australia.
In our uncertain, unethical times, a code by which artists and organisations can conduct business and their art practice is critical to valuing the arts and offering a firm foundation for effective policy change.
Why has Skyscraper done so well in China? We reckon The Breaker Upperers will quietly rake in money for some time - but are we right?
Streaming services are happy disruptors, but they could warp the system in more profound ways than we think.
New Patron for QL2; a marketing manager for Yirra Yaakin; new dancers at WA Ballet and Head of Private Sales at Michael Reid Gallery.
The MIFF opening night film is the closest us hoi polloi get to an A list party. At times this one felt a bit like a nocturnal version of the Melbourne Cup.
How does the casting process work in an arena where new and emerging performers are the norm and budgets are lower? We look at Homecoming Queens, F*!#ing Adelaide, Wrong Kind of Black and Sheilas to find some answers.
MIFF, French comedy Dr Knock and Wrong Kind of Black head a lineup which also covers the Palace doc fest and the arrival of the Koreans.
The commercial networks have a once in a lifetime chance to exit kids' TV. They are good at ideas under pressure.
Seven rescues the Fisher family and its trademark glama-detective approach to evil as Miss moves to Ms and 1930 skips a war.
What do we mean by Australian stories? Queensland producer and comic creative Daley Pearson provides a beaut answer from Coolum Beach.
South Australia’s festival for the visual arts has grown exponentially through its democratic model of inclusion and celebration of living practitioners.
Fifty-one Australian film critics voted for their favourite Australian films since the year 2000. Some surprises appear among the usual suspects. We talk to Luke Buckmaster, the man who pulled the poll together.
Here's a batch of films to think about. The landscape of Australian cinema is surely changing, but we still don't know how.
Winner of the 2018 Holding Redlich People’s Choice Award announced, Kibble and Dobbie Award winners revealed, IPWEA Victoria honours The City of Stonnington, and more.
It's no justice time in Australian cinemas as Mamma Mia attracts hordes and some good indies drown in their own muddy footprints.
Screenrights loses a veteran who has presided over enormous changes over twenty years. Expect Simon Lake to surface for new roles in the future.
Kids' TV drama is a rare beast these days, especially in NSW, but as Northern Pictures' 'Hardball' starts shooting in Western Sydney, we talk to Executive Producer Catherine Nebauer about finding the fun as well as the money..
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