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Successful self-managed musician Mel Parsons talks with Kathryn Burnett about going it alone.
Drum roll… It’s the announcement we have all been waiting for. Carriageworks has named Blair French as its new Chief Executive Officer.
Circus Oz and The Australian Ballet's Artistic Directors announce their impending departures, Associate Artistic Director joins Bangarra, Carriageworks appoints new CEO, and more.
La Mama rises from ashes, Coburn's opera house curtains are raised, questions are raised over ABC budget cuts with election and we all raise a toast to volunteers and libraries this week.
Besides the big mess of unformed media policy which the Morrison government will have to face, it will do battle with an ABC which claims a unique halo of public trust.
Multi-sensory installation by Craig Walsh and the local community celebrates Bundjalung resilience, survival, and learning.
Bertolt Brecht, Acute Misfortune, 2040, Curse of the Weeping Woman and Cold Sweat - a good list after a tentpole frenzy.
Australian organisations join global campaign to recognise women artists, starting with an all-day intervention by the National Gallery of Australia.
Different theatre cultures enrich Australian actors, directors, designers and writers with new aesthetics and methodologies.
Not just one year -the Libs are promising that Auntie's evolution will be dominated by expanding cuts for the next three years.
Australia has been pretty comfortable with the blockbuster exhibition since the 1970s, but a new book unpacks what such exhibitions mean to the sustainability of art museums today.
Screenwriter Giula Sandler gives us advice on contributing and collaborating without being annoying.
Cultural commentator and long-time recapper Mel Campbell looks back at the show that won and broke so many hearts.
Pamela Adlon's tough, unsentimental comedy about stretched motherhood is just as good in its third season as in its first, writes Adrian Martin.
ArtsHub speaks to academics at Flinders University to find out how they prepare students for a future we can’t yet imagine or understand.
Thousands of Australians from all walks of life choose to start their tertiary training midway through the year – here’s why.
Acknowledge Creativity’s Diploma of Creative Enterprise helps bring creative flair to business and business acumen to the arts.
The best way to learn your writing craft is from someone who has been there, done that, which is why Deakin University’s creative writing team is staffed by published authors.
In the age of #MeToo, Ivo van Hove’s adaptation of the Hollywood classic feels dated despite splendid performances.
Describing himself as having ‘a passion for pedagogy,’ Professor David Shirley is keen to promote WAAPA on the world stage by promoting the extraordinary training opportunities it offers.
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