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Key wildlife cinematographer John Brown has two superpowers - he cherishes his friends and has a rare brain condition called synaesthesia.
In She 2019 you can catch women on the cusp of their careers, finding the forms and themes that declare their start in the world of art.
Hotel Mumbai is one of the most promising films on the Australian slate, as a well crafted commercial film with heart and ideas. The annual Alliance Francaise fest is up and running.
Adrian Martin ponders Eastwood's latest film, The Mule, in the context of a long and varied career.
An unforgettable movie that brings terrorism to shockingly vivid life, but needs more story-shaping.
A muddled Australian thriller promising female empowerment but inviting a misogynist conclusion.
Lesbian femme POC strip night resurrected in archival film Shakedown.
Adolescent love breaks the rules of a conservative African culture.
Participant Media is a key company in progressive indie US production, and Diane Weyermann is a core changemaker.
Arclight Films, MEP Capital and the South Australian Film Corporation (SAFC) today announced production has commenced on the true-life prison break feature film Escape From Pretoria.
After 17 years at North Melbourne Town Hall, the Fringe is taking over the license of the Trades Hall bar. The venue will become the new Festival Hub in September, with programming running all year round.
Is banning the music of artists accused of reprehensible behaviour the best course of action? Why single out Jackson for this treatment, given the apparent scale of abuse in the music industries?
Opinions & Analysis
Five grant types on offer across the visual and performing arts, covering venue hire costs and providing over $20,000 for individual projects.
With the potential to become something of a cult-classic, People Suck does well to deliver an entertaining piece of theatre.
Magnificent, moody Mozart from the brilliant players of the Mahler Chamber Orchestra.
The world premiere of Ron Elisha’s Unsolicited Male brings the #metoo movement to the workplace.
Without an an ounce of amusement, this bleak and confronting Australian film commands the audience to watch — or walk out.
Smooth, cool and gracious, one of the best ensembles of its kind.
An awkward feminist production focused on the objectification of women that attempts to ‘turn the coin’ on Oscar Wilde’s misogynistic play.
Auteur Claire Denis' first foray into English language cinema is a cool, calm sci-fi movie almost bereft of gadgets, with no aliens in sight.
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