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Vietnamese Bamboo Circus’s stunning show embeds impressive physical skills in a vivid, cohesive narrative.
Three ways to know whether you are really in the arts business or just kidding yourself about your hobby.
Sustaining work in the arts is always a challenge, but in times of adversity it can be even harder to persevere. So how do we harness that capacity? And how do we build a strong community that can weather the storm together?
Artist Van T Rudd tells ArtsHub about creating images that capture the imagination, and his influences including Beyoncé, Black Lives Matter, and Berlin artist EVOL.
Within an arts organisation you are only as valuable as you are flexible and obedient.
Opinions & Analysis
Displaced: A Rural Life is an eclectic mixture of personal reminiscence, poetry, and advocacy dressed as opinion.
Head of Sector Development role created and appointed at the Australia Council, City of Melbourne appoints Creative City Director, new Head of Programming at Ten Days on the Island, and more.
Joseph Sherman’s play is a brave, outstanding work that confronts the experience of Alzheimer’s.
An empathetic production about a community almost never seen onstage.
Led by writers, Sci-fi proposals are flooding into the sector. Are we reaching for the stars or squelching in drivel?
Arts education is a powerful way to prevent prisoners from reoffending once they leave jail.
Over six decades to date, the Adelaide Fringe has been both a playground and a career springboard for Australian and South Australian artists.
While Seven tries polite menace with Feds, it may itself turn out to be sold to the highest bidder.
Andrew Forrest’s Fortescue Metals Group being the principal sponsor of Black Swan State Theatre Company raises potential governance concerns, given that Forrest’s wife Nicola is the company’s Chair.
Asia TOPA presents a high-energy musical delight with extraordinary use of video.
Powerful, riveting, and deserving of wider recognition.
Artistic Director Brook Andrew says, 'NIRIN is not a periphery, it is our centre'. We take a look at two venues on the edge for this year's Biennale of Sydney to see how grass roots engagement is redefining the centre.
Our fortnightly roundup of news, plus stories you might have missed.
The union, which is made up of 85 employees, is a watershed moment for tech companies – and an exciting step forward for screen producers who rely on crowdfunding.
Bringing Undertow to the cinemas is a ten year labour of love and patience. Producer Lyn Norfor takes us from development to the last financial obstacle.
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