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Pay-TV channel LifeStyle, part of XYZ Networks, has acquired the format rights to Grand Designs and has commissioned FremantleMedia Australia to produce the 10-part series, which will go into producti
EnhanceTV, the online resource for educators using television programs in the classroom, has launched a new online Community to facilitate shared knowledge, resources and foster connections between ed
The Australian Government and the Tasmanian Government today announced that Tasmania will be the launch state for the Commonwealth’s new super fast National Broadband Network.
The Assistant Treasurer, the Hon Chris Bowen MP and Minister for the Arts, the Hon Peter Garrett MP, today combined to give the sector a rebuff which it expected, and offer some hope on the thorniest
You are invited to submit your latest documentary or animated films for the 52nd edition of DOK Leipzig, the International Leipzig Festival for Documentary and Animated Film, which is held from 26 Oct
John Maynard excites awe in the Australian film distribution sector for his campaigns to drag the public to see the great films he champions. Now, he is working on 'Samson & Delilah.'
New Zealanders will have access to some of the best brains in the digital media business at the upcoming X|Media|Lab, to be held in Auckland in late May.
We think the National Broadband Network is a historic decision. What better way to celebrate than a quick jaunt through the strange, ugly journey through which the networks delayed their comeuppance b
The Bollywood Blackout emerges from an exhibition system which turns access to screens into nightmarish weekly bouts of blackmail which would drive Australian producers to an early grave.
The internet didn’t create the worldwide revival of knitting in the last decade, but it certainly contributed. For it’s supremely well-suited to elaborating the enjoyments of the craft: the connoisseurship, the problem-solving, the experimentation, the dissection of technique, the display of finished items. And knitting blogs are where it all happens.
On this coming Easter weekend, 500 lucky ducks will come together at a sheep station in Tallarook to shake it loose together at the 3rd Boogie Festival.
Burns’ knife-to-the-jugular style is completely endearing in his show 'Brendon Burns Returns' part of the Melbourne International Comedy Festival.
Lawrence Mooney in Make the Girls Laugh, part of the Melbourne International Comedy Festival, delivered a full range laughs – I heard subtle snickers, loud guffaws, hoots, shrieks, cackles and groans.
Andrew Mayo captures a passion in the intense crowd scenes in Guys, Girls, Guitars: In the Pit - at the Front Gallery and Café - that the images stand out because they give us an entry ticket - we are down amongst the throng of the audience and the images are successful because we can see, smell, hear and touch the performance.
The constant dilemma of opera in the 21st century: honour tradition, or aim for relevance and fresh audiences with a contemporary overhaul. Some of the best productions straddle both, and David Freeman's Magic Flute, seen in Melbourne at the Arts Centre, for the first time, does so reasonably successfully.
'The Small Poppies in Poppycock!' – Adam Brodie-McKenzie, Caitlin Croucher and Andrew Nichols - originally hail from Canberra, performing in ANU’s comedy revue before moving down to Melbourne. They have one previous show from the Melbourne International Comedy Festival, 2008’s 'Think Inside the Box.'
Moonwebs and Scorched Thongs playing at the Playhouse Theatre, successfully holds me throughout and gives a sense of a journey and a completion, uncovering freer forms, more upbeat music, adding more colour and expression.
I went to the Melbourne International Comedy Festival's CJ Jenkins is a Freakshow expecting some sort of zany burlesque. I was, however, surprised to find that it is actually a candid, funny and moving one woman show, with CJ playing herself, telling stories about her upbringing and her disability.
Ngai Tahu 32’s strength is in its intensity, and that intensity is present at every level. The choreography is considered and measured, the video projection persistently present, the staging eloquent. Elizabeth Whiting’s costumes are striking, and Paddy Free’s soundscape captivating. Most of all, the performers offer such high levels of commitment and energy to their work and to each other
Hosted at Arthur’s Bar at Rosati during the Melbourne International Comedy Festival, The Middle Ages charts the adventure of two women who use a time (or ‘bargain’) machine to lose 20 years off their body clocks.
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