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Imagination will not be defeated. Witness the power of John Hinde beyond the grave, boosting science fiction in local screen production.
Streaming services, cinemas and the ultimate need to coexist.
Wisdom on managing an international career, public art bureaucracy and fatigue from one of the world’s most celebrated artists working with light today.
Embracing failure is one of the hardest challenges we face as professionals. How we communicate about and use those failures is a lesson all arts organisations need to learn.
The producers' rules about glamour: you need a clear schedule, time obsessives rule, and hunger increases anticipation. This year they all worked together.
A new song-cycle explores an important Australian invention, the now ubiquitous black box flight recorder.
Adam Driver leads a star-studded cast in this tense deep dive into the CIA's history of torture tactics.
What our office has been watching, hearing and loving, featuring an unexpected recommendation from Werner Herzog.
OzAsia Festival receives SA Tourism award, Sydney Modern Project kicks off with groundbreaking ceremony, major Louise Weaver exhibition unveiled, plus more arts news.
Although over 50 years old, Edward Albee’s play feels modern with its mordant wit and sharp observations.
A palpable and political exhibition, Cornelia Parker's eponymous exhibition offers a cautionary tale on hasty commentary, demonstrating that the simple object can speak volumes.
A bunch of carrots, sunglasses and even an old railway sleeper, offer a punchy rethink of painting in a new exhibition by Scottish artist Jim Lambie at Roslyn Oxley9 Gallery.
In a new industry partnership, Powerhouse Museum is calling for early career musicians to apply for a suite of Fellowships that pairs mentoring with financial support.
From upcycling to reducing packaging, artists look at how they can limit the damage their work does to the environment.
The 26-year-old play continues to provoke controversy.
This multi-layered show offers a series of interesting experimentations but leaves the audience with questions unanswered.
A pantomime that feels past its peak, though it hits all the right notes for fans of the genre.
We learn by failing, but rarely talk about it. Here, artists and arts workers from diverse sectors reflect on what their mistakes have taught them.
The decision to move UWA Publishing to an open access model is an experiment doomed to fail writes Emmett Stinson.
Perth’s home of independent theatre has nurtured the careers of countless artists over the last three decades. Now its management are focused on ensuring the Blue Room is future-proofed for coming generations.
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