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'Some Mothers Do 'Ave 'Em' beats 'Mortal Combat'.
A cute rant from a peripatetic and conscience riddled Python, proving that he can keep a straight face without screaming at the camera or objecting to the new fangled technology.
Beyond the common adjectives - quality! groundbreaking! heartwarming! fresh! - the world's commissioning editors reveal a huge amount by their subtle contradictions and flexibility. It is all about co
One of the most interesting aspects of the Australian International Documentary Conference is getting a chance to see all kinds of documentary styles. Clips flicker on screens at almost every session
In film, the audience is years away. In television, it hides behind the ratings. In self distribution, you can chase them down, wabbit by wabbit, so they give you a tiny piece of lettuce. But at least
Low budget, privately financed, and meeting distribution prices, Crush has done well enough that its investors are up for a second film – before the first one has been released.
At the end of the production process is sound post. At the end of the contract is deliverables. When they get together, you may need a ninja and your audio heroes may spring from the shadows...
A cool moment for Pluto Goneski.
On the final day of AIDC 2009, conference director Joost den Hartog scheduled five sessions in a row about the implications of gaming for documentary makers. We detailed our youngest and strongest rep
Both the ABC and SBS were at the AIDC in force, as a palpable presence, which signalled an increased level of confidence and assumptions about leadership of the sector.
Kevin Schaff, CEO of Thought Equity Motion, provides a glimpse of the morphing world of archives, digitisation, metadata and the internet, all propelled by our collective fear of feral American lawyer
A quick introduction of the attending Commissioning Editors, Acquisition Managers, Executive Producers and other investors at the Australian International Documentary Conference in Adelaide.
Six outstanding Western Australian artists have been given a once in a lifetime opportunity with a share in $220,000 from the State Government to help develop their practice to an international level.
Marrugeku Theatre Company as the first recipient of the State Government’s Major Production Fund.
Application forms are now online for the following categories which offer support for Territory artists and arts organisations for projects starting on or after 1 July 2009.
South Australian artist Robert Hannaford has painted the most powerful people in Australia and his path in life was set at a very early age.
Aspiring film-makers are turning to very small screens to get their big break in the movie industry.
The Australian author who spent more than five months in a Thai jail for insulting the country's monarchy says he is happy with the way the Australian Government handled his release.
For the first time in its history, Byron Bay's Bluesfest will feature a stage that showcases Indigenous heritage and culture with the line-up including major Indigenous artists from Australia and the Pacific Rim.
The Zhenghzou Song and Dance Theatre was established in 2004 and is touring internationally with its first production, 'Wind of Shaolin'.
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