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Thirteen projects, for a total investment of $8.6 million, contributing to a total slate worth $26.4m, were signed off by the Screen Australia Board yesterday.
Jim Jeffries' subject matter touches on all that is politically incorrect, anal sex, pedophilia drugs, porn you name it and he will have it all covered. Jim Jeffries – 'Hellbound': Melbourne International Comedy Festival.
'The Outrageous Good Fortune of the Family Sapiens in its Encounters with the Thylantines' part of the Melbourne International Comedy Festival had, what seemed to me, all the components of an interesting live production.
Anthony Salame in One Night Stand at the Melbourne International Comdey Festival, is a comedian that is good at what he does, and entertained the audience.
Melbourne based businesswoman and mother, Katarina Pavlovic is on a mission. She is single-handedly taking on the producers of poor quality, mass produced children’s furniture and the creators of boring bedrooms and naff nurseries by offering a high quality, unique and creative alternative – “Miss Tati & Friends”.
'Everlasting Moments', the last in the Somerville Film season part of the Perth International Arts Festival, is a real delight.
A music scholarship gained in Primary School allowed Lauren to begin her musical journey early, with singing lessons, piano, and music theory starting at just seven years of age.
A draft strategic framework for the future of the Northern Territory Film Office (NTFO) has now been developed and is open for public comment until Thursday 9 April 2009.
Louise Moyes begins this show with an introductory dance which attempts to set the scene in early twentieth-century Port-au-Port, the Newfoundland area where the Florence of the title lived. The dance is a little too introspective and ambiguous, and does not really manage to convey the story it purports to (a history of the working women in the community). It is followed by an inexplicably – and u
The Melbourne International Comedy Festival's The Birdmann – 1 line is an entertaining and humorous evening of cleverly thought up one-liners, based on a range of topics that have obviously made the Birdmann think hard about the world he lives in. In saying that, he doesn’t throw his bag of tricks away altogether in this show. In fact with assistance from his lovely keyboard player, Mariko
Australia’s only Contemporary Fiction Festival opens its arms to popular genre writers and exciting new media practitioners as well as award-winning literary authors on Sunday April 5 at the NSW Writers’ Centre, co-presented by the UTS Centre for New Writing.
Ten Days On The Island: Floating combines improvised theatre, stand-up comedy and multi-media presentation. Hugh Hughes and Sioned Rowlands tell the story of Anglesey, a small island off the coast of Wales that drifted to the Arctic after the Menai Bridge collapsed in an earthquake in the 1970s, before returning to its original place. Whether the story is true or not is irrelevant, just as
Clare Brown is a young woman who is passionate about the arts. Clare also happens to have a profound disability and requires carer support to attend social events. This means she sometimes pays twice to go to a movie, a play or live music performance.
Bubblewrap and Boxes is an entertaining and somewhat humorous children’s show set in the world of a strange, dusty limbo land full of homeless parcels and undelivered letters. With lots of giggles from the children and adults in the audience I am sure this is a show that both young and older will enjoy.
Reality Smites alright. Tom Middlebrook’s return to the Melbourne International Comedy Festival show was full of irony as I found myself in a reality of ear strain and obstructed vision while trying to follow a severely abridged (20 minute) version of a normally 55 minute show.
Ten Days On The Island's Barbara Furtuna, arrived last week from Corsica to give their first, and only, Australian concerts.
From the duo who brought us such delights as Too Hard Basket, Melbourne International Comedy Festival regulars ElbowSkin are back with their most hilarious show yet.
The answer to many esoteric questions were on offer during the opening night performance of award winning chanteuse Geraldine Quinn’s hilarious one woman (plus deity) show Hex & The City which had its Melbourne debut this weekend as part of the current Melbourne International Comedy Festival.
From its coordinated opening attack on Beethoven’s Piano Trio in D Op70, No.1, the Benaud Trio embraced this feature of the Salon, at the Melbourne Recital Centre, adding vigour and balance to the mix.
With much anticipation I attended Jeff’s latest offering Living the Dream at Melbourne’s Town Hall, via the Melbourne International Comedy Festival, and I am extremely happy to report that Jeff (as usual) did not disappoint in delivering some of the most astute observation comedy you are likely to see over this Festival period.
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