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The restructure at the regional arts organisation claims to create more opportunities in regional centres and increase diversity but is it defunding of the state's arts by stealth?
An artist has pulled her show out of the Melbourne Fringe Festival after offending members of the Asian Australian community.
As action goes, the Fallen series has shot, stabbed and belted its way into the hearts of cinema goers and fictional presidents but this time it's personal.
Revisiting Beethoven's masterpieces, new work from Mike Parr; networking for women and finding the value public art.
From 2019/2020, the goal is to have women make up 50% of directors, writers and producers on projects that receive Screen Australia funding.
Phoebe Waller-Bridge's writing on Fleabag is as formally intriguing as it is emotionally complex.
The third and last stop in Going Down Swinging’s international project has resulted in an intricate, optimistic, and multilayered exhibition and anthology.
Kim Carpenter, the founder of beloved visual theatre company Theatre of Image, is closing his company after 30 years.
Industry fears for future of Australian writing, as national infrastructure is cut back again.
A model for artists’ studios in Western Sydney shifts the paradigm from mere workspace to career catalyst – at a time when artists most need it.
The inaugural production from Antipodes presents Dave Malloy’s exquisite and eclectic song cycle about life, death, ghosts and whiskey.
Jane Harrison’s play follows one Yorta Yorta family’s struggles against assimilation during the Menzies era.
An ambitious and logistically intricate work from the Hobart-based youth dance company.
A triptych of works by Kafka with dynamic physicality.
It's a good week to rewrite history, with 'Once Upon a Time in Hollywood' and 'Mission Mangal' scoring big crowds.
Opinions & Analysis
Executive Director Shaun Comerford says the company’s extraordinary growth is underpinned by one important adage: the art comes first.
Denmark’s Magnus Restofte says that you are not only asking people to part with their money – but their time today – and that is a tough sell for any sized organisation. He is coming to Sydney in November.
Croser will take on a 3-year contract as Chief Executive at SA Film Corp, at an exciting time for the state's screen industries.
One Fell Swoop’s circus production serves up exhilarating acrobatics and delicious contrasts.
While Australian film and television may be dominated by people of Anglo backgrounds, Jackie Bailey argues that we could be telling diaspora stories and finding bigger audiences.
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