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The director of Google’s Creative Labs talks to Screenhub about doubt, technology, and the joy of a good failure.
Judy and Punch dances, Two Heads Creek splatters, while Better Days survives abrupt disappearance at the hands of Chinese government.
Participation in art gallery programs can improve improve the wellbeing of people living with dementia, according to stress levels monitored in saliva.
Aspiring performers will have an opportunity to study at London’s coveted Royal Central School of Speech and Drama when auditions and interviews are held in Sydney next month.
Scorsese's latest is a paradoxical object – and not just because of its digitally de-aged cast, writes Adrian Martin.
Emerging artists need to have space to experiment and broaden their practice.
The NGA has announced its acquisition of Patricia Piccinini's Skywhale alongside a new commission, Skywhalepapa, to be unveiled in March 2020.
Socio-economic disadvantage and other structural barriers can prevent people from gaining access to arts education and working in the arts industry – but they shouldn't.
A film project at Adelaide’s College of the Arts is helping students explore the way their skills interact and complement each other in the real world.
A joyous version of the Gilbert and Sullivan musical that most fans will love.
Slowly Netflix is revealing itself to the sector. The contingent to Screen Forever carried the brand high and attracted a lot of attention.
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An extraordinary performance showcasing not only Mojo Juju’s voice and talent but also the stories behind the songs.
Indian artistic practices wind through the streets of Wyndham in a new multidisciplinary performance work.
The Australian Film Television and Radio School’s Industry Certificate in Production Accounting is helping newcomers and industry professionals get their productions under control.
Setting an agenda to support contemporary practice, the Powerhouse has awarded six $30,000 commissions to Australian glass and ceramic artists.
The Riverside Yarns presentation offered intimate and generous storytelling but lacked a centre of gravity.
Instead of a single artistic director, the 32nd New Zealand Festival of the Arts features three high profile curators, Bret McKenzie, Laurie Anderson and Lemi Ponifasio, each programming a separate week.
Has the internet damaged arts criticism beyond repair? In her new Platform Paper, Alison Croggon argues that the web has oversimplified cultural discussion and chased clicks over critiques.
The resilient theatre company is celebrating three decades of significant engagement with young people in regional and remote NSW.
A brand new Master Degree at UNSW Art & Design deep dives into Visualisation, Simulation and Immersive Design while smashing traditional divisions between digital and culture.
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