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Burns’ knife-to-the-jugular style is completely endearing in his show 'Brendon Burns Returns' part of the Melbourne International Comedy Festival.
Lawrence Mooney in Make the Girls Laugh, part of the Melbourne International Comedy Festival, delivered a full range laughs – I heard subtle snickers, loud guffaws, hoots, shrieks, cackles and groans.
Andrew Mayo captures a passion in the intense crowd scenes in Guys, Girls, Guitars: In the Pit - at the Front Gallery and Café - that the images stand out because they give us an entry ticket - we are down amongst the throng of the audience and the images are successful because we can see, smell, hear and touch the performance.
The constant dilemma of opera in the 21st century: honour tradition, or aim for relevance and fresh audiences with a contemporary overhaul. Some of the best productions straddle both, and David Freeman's Magic Flute, seen in Melbourne at the Arts Centre, for the first time, does so reasonably successfully.
'The Small Poppies in Poppycock!' – Adam Brodie-McKenzie, Caitlin Croucher and Andrew Nichols - originally hail from Canberra, performing in ANU’s comedy revue before moving down to Melbourne. They have one previous show from the Melbourne International Comedy Festival, 2008’s 'Think Inside the Box.'
Comedicate's inaugural Melbourne International Comedy Festival production, Occupation: Ugly, uses visual, aural and live sketches to great comedic effect.
The Australian Academy of Design Poster Prize is an annual competition. Finalists of the 2009
competition will be exhibited in The Australian Academy of Design Gallery, the Clement Meadmore
Gallery from 15th July – 7th August 2009.
Unspeakable 2009 part of the Melbourne International Comedy Festival, produced by Erin Davidson and supported by Gasworks Arts Park and Frankston Arts Centre, is a show so unique that it simply deserves to be seen.
Are you aged between 12 and 26 years with a great idea for an art project? Do you and your friends want to hire a venue for your next gig? Or to you want to print flyers to promote your upcoming exhibition but don’t know how to pay for it?
For the first time, Australia’s national screen arts and broadcast school, the Australian Film Television and Radio School (AFTRS) and Australia’s National Institute of Dramatic Art (NIDA) have joined forces to create a feature film exclusively made by students.
This week marks the 10th anniversary of the opening of the Search Room at the State Records Office to the people of WA to explore their stories.
Australian composer SEAN WAYLAND co-writes song ‘SOMETHIN’ GRAND’ with MADELEINE PEYROUX and Larry Klein for Madeleine’s latest CD BARE BONES (Rounder Records CDROUN3272).
From the very beginning of the show, titled Find the Funny - part of the Melbourne International Comedy Fesetival - Amos had the audience wrapped around his little finger with his razor sharp wit.
A draft strategic framework for the future of the Northern Territory Film Office (NTFO) has now been developed and is open for public comment until Thursday 9 April 2009.
Louise Moyes begins this show with an introductory dance which attempts to set the scene in early twentieth-century Port-au-Port, the Newfoundland area where the Florence of the title lived. The dance is a little too introspective and ambiguous, and does not really manage to convey the story it purports to (a history of the working women in the community). It is followed by an inexplicably – and u
The Melbourne International Comedy Festival's The Birdmann – 1 line is an entertaining and humorous evening of cleverly thought up one-liners, based on a range of topics that have obviously made the Birdmann think hard about the world he lives in. In saying that, he doesn’t throw his bag of tricks away altogether in this show. In fact with assistance from his lovely keyboard player, Mariko
Australia’s only Contemporary Fiction Festival opens its arms to popular genre writers and exciting new media practitioners as well as award-winning literary authors on Sunday April 5 at the NSW Writers’ Centre, co-presented by the UTS Centre for New Writing.
Ten Days On The Island: Floating combines improvised theatre, stand-up comedy and multi-media presentation. Hugh Hughes and Sioned Rowlands tell the story of Anglesey, a small island off the coast of Wales that drifted to the Arctic after the Menai Bridge collapsed in an earthquake in the 1970s, before returning to its original place. Whether the story is true or not is irrelevant, just as
Clare Brown is a young woman who is passionate about the arts. Clare also happens to have a profound disability and requires carer support to attend social events. This means she sometimes pays twice to go to a movie, a play or live music performance.
Bubblewrap and Boxes is an entertaining and somewhat humorous children’s show set in the world of a strange, dusty limbo land full of homeless parcels and undelivered letters. With lots of giggles from the children and adults in the audience I am sure this is a show that both young and older will enjoy.
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