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Thirteen projects, for a total investment of $8.6 million, contributing to a total slate worth $26.4m, were signed off by the Screen Australia Board yesterday.
Jim Jeffries' subject matter touches on all that is politically incorrect, anal sex, pedophilia drugs, porn you name it and he will have it all covered. Jim Jeffries – 'Hellbound': Melbourne International Comedy Festival.
'The Outrageous Good Fortune of the Family Sapiens in its Encounters with the Thylantines' part of the Melbourne International Comedy Festival had, what seemed to me, all the components of an interesting live production.
Anthony Salame in One Night Stand at the Melbourne International Comdey Festival, is a comedian that is good at what he does, and entertained the audience.
Melbourne based businesswoman and mother, Katarina Pavlovic is on a mission. She is single-handedly taking on the producers of poor quality, mass produced children’s furniture and the creators of boring bedrooms and naff nurseries by offering a high quality, unique and creative alternative – “Miss Tati & Friends”.
'Everlasting Moments', the last in the Somerville Film season part of the Perth International Arts Festival, is a real delight.
A music scholarship gained in Primary School allowed Lauren to begin her musical journey early, with singing lessons, piano, and music theory starting at just seven years of age.
In Flesh and Blood which was featured at Metro Gallery, 1214 High Street, Armadale, VIC this past March, he explores the dramatic and beautiful landscapes of the MacDonnell Ranges in the Northern Territory.
Ten young and emerging artists who work across the visual arts, theatre, dance, design, installation, architecture, digital art, text, sound and other creative areas will be chosen to undertake a three-week Arts Lab residency in Lismore in July 2009. SPLENDID!
In Jerusalem is Proud to Present, the award winning documentary by Israeli film maker Nitzan Gilady, which had its Australian debut at the current 19th Melbourne Queer Film Festival, the lack of tolerance is short in supply.
No props, no costumes, just a man and a microphone. Reginald D Hunter is a born performer: a storyteller equally at home with swear-word-peppered crudeness that sometimes slips into un-PC territory, and considered reflections on the nature of things – which on occasion briefly stray from comedy and into genuine commentary.
Indeed, the very first moment Conti stepped on stage I was on side. She appeared dressed in a monkey suit, voicing and manipulating a little puppet of herself. It was the first of many clever instances where she played on expectations about the old ventriloquist-puppet routine.
Wu Hsing-kuo takes on all ten roles in this adaptation, changing in costume and character. His acting, singing and dancing performance relies on versatile gestures as he uses his movements and facial expressions to represent the story.
The challenge with a festival of this nature is trying to catch all the musicians you want to see, out of 29 acts over four stages in nine hours. The quickest walk between the two nearest stages was about five minutes the furthest about 10. Add to that drink and bathroom breaks and it makes for a frantic afternoon. At least you can take drinks to all of the stages.
Reality Smites alright. Tom Middlebrook’s return to the Melbourne International Comedy Festival show was full of irony as I found myself in a reality of ear strain and obstructed vision while trying to follow a severely abridged (20 minute) version of a normally 55 minute show.
Ten Days On The Island's Barbara Furtuna, arrived last week from Corsica to give their first, and only, Australian concerts.
From the duo who brought us such delights as Too Hard Basket, Melbourne International Comedy Festival regulars ElbowSkin are back with their most hilarious show yet.
The answer to many esoteric questions were on offer during the opening night performance of award winning chanteuse Geraldine Quinn’s hilarious one woman (plus deity) show Hex & The City which had its Melbourne debut this weekend as part of the current Melbourne International Comedy Festival.
From its coordinated opening attack on Beethoven’s Piano Trio in D Op70, No.1, the Benaud Trio embraced this feature of the Salon, at the Melbourne Recital Centre, adding vigour and balance to the mix.
With much anticipation I attended Jeff’s latest offering Living the Dream at Melbourne’s Town Hall, via the Melbourne International Comedy Festival, and I am extremely happy to report that Jeff (as usual) did not disappoint in delivering some of the most astute observation comedy you are likely to see over this Festival period.
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