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Showing all news in Features
Sarah Neal, Executive Producer and Co-CEO at Malthouse Theatre, and Glyn Roberts, Artistic Director of the Castlemaine State Festival, share their experiences around creating new outdoors performance spaces.
Making a living is tough for creatives, but residuals can be a long term income source. Now the streaming companies want to kill the whole idea.
From playful figures to bathtub performances, artists are using the intense residencies of their past to create unexpected new works in the COVID-19 lockdown.
Some artists are jumping into NFTs while others see pitfalls. Jane O’Sullivan looks at both sides of this emerging meld of art and technology.
The host of ABC TV’s new weekly arts program promises to be much more than just a talking head.
Having been accused of mainstreaming drag, eliminating its subversive impetus, it will be intriguing to see how this slick show — built on US histories of drag — approaches the Australian drag tradition, writes Joanna McIntyre.
Gill Minervini gives us a sneak peek into what the festival has to offer including a future of more collaboration and less silos.
Arts leaders from across the state offer up their key arts policy suggestions for whichever political party next forms government in Tasmania.
Barry Jenkins adapts a Pulitzer Prizewinner, Australian classic Puberty Blues returns, more Handmaid's Tale, and Oscar-worthy biography Judas and the Black Messiah gets digital release this May.
‘It's nice having someone just notice and care that there was a small change about you, like a haircut or a new pair of shoes. it makes you feel good. Our games try to have the equivalent of that moment.’
NAVA's message is clear: ‘stop treating art and culture as expendable and start recognising their essential role in the stimulation of Australia’s creative output’.
In the leadup to 2023's Mad Max: Furiosa, Amanda Howell considers the history of Ozploitation, the bushranger myth and Australian cinema's obsession with national identity.
As the Biennale of Sydney unveils its new curatorium, we look at shifting exhibition models in a post-pandemic rethink, as international travel is limited and trust among peers elevated.
Grace Boschetti details the 2021 Academy Awards' predicted wins, history-making nominations, dark horse contenders, and eulogizes the films that narrowly missed out.
The latest Warner Bros. action film does a lot more for Hollywood than you think it might.
To celebrate International Sculpture Day on 24 April, we revisit this 2018 article that asks whether our education system is failing sculpture.
Cumulatively, festival awards and Oscars can practically guarantee a film worldwide financial and critical success - even during a pandemic.
First Nations artist Hayley Millar Baker foregrounds herself as a storyteller, blurring the formal conventions of photography to construct probing narratives that mine contemporary empathy and language.
Previous reports into the national touring ecology released in 2005 and 2011 effectively came to naught, so what makes the new Touring Scan any different?
Keeping and improving some of our new digital and hybrid work practices simply makes good strategic and financial sense, says Kate Larsen.
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