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Showing all news in Features
While the sector is frantic to start shooting, it is also relishing the chance to develop projects. How does that feel to Nerida Moore, Screen Australia’s Head of Development?
Isolated from their audiences during lockdown, performing artists found alternatives to connect with audiences through live online performance. But just how is this working out, and what lessons have artists – and audiences – learnt from their experiences?
An animation designed to educate Aboriginal communities in the Kimberley and Pilbara regions about Coronavirus highlights the importance of art and collaboration in health awareness campaigns.
NGA’s exhibition The Body Electric was unable to pivot digitally during COVID-19. We speak with the exhibition's curators about notions of intimacy, imaged desire and perceptions of the inappropriate.
In calling out carpetbaggers, art centres remind us that we all have a role to play in ensuring best practice and the protection of our First Nation artists and communities.
Amazon Prime builds up its Aussie content, The Bold Type makes a fourth impression while Disney Plus looks inside one of its biggest animations and first streams a box-office killing kids film.
To mark National Reconciliation Week #InThisTogether2020 we dive into our archive to share some of the meaningful conversations along the reconciliation journey.
COVID-19 has made it hard for artists seeking professional development opportunities. We look at advice for those who have been financially penalised in the wake of cancelled residencies.
An interview with the award-winning filmmaker about his very personal project. Part cooking show, documentary series and performance art, it defies genres.
Designers for the screen can have an anxious but ultimately satisfying time. This is what it looks like from the inside.
As Executive Director of Sydney Living Museums and NSW State Archives and Records, Adam Lindsay oversees 12 organisations. We talk to him about leadership in crisis and finding your mojo in the digital pivot.
The Australian String Quartet's second violinist says she's never enjoyed practicing more.
See-Saw has some sort of magic juice which keeps it getting better and better. It turns out to be made of idealism, common sense, good people choices and the pleasure of running a company.
Inspiration comes in many forms and for street artists, the Coronavirus has delivered a wealth of material, allowing them to respond to the pandemic with humour and kindness.
Moving swiftly and seamlessly, Sydney and Yarra Valley Writers festivals have gracefully pivoted their programs online.
The Department of Local Government, Sport and Cultural Industries’ decision to suspend existing funding programs and focus on emergency relief has frustrated some WA artists.
Let's unpack IGEA's stats on the local impact of COVID-19, and what the future looks like for the Australian games ecosystem
As arts and cultural organisations plan to open their doors with easing restrictions, it’s critical to put members and subscribers first. This is why.
While Screen Producers Australia struggles to get the Commonwealth to face the industry's real dilemmas, the report card overseas is both bad and good.
Based on the far south coast of NSW, Gerry Corcoran's work was stopped in its tracks by COVID-19 but the pause has left him feeling refreshed.
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