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Icon Films are pleased to offer ScreenHub subscribers the chance to win one of ten double passes to see the new Australian claymation feature Mary and Max. The film was made by the Oscar winning creat
The Comedy Festival Gala scored over a million making it Ten's highest rating show last night.
The German Film Festival's Krabat is narrated by a voice which has the colour and feel of a person having lived a long and wise life, reminiscent of storybook inspired films which I watched in my childhood, and just enough of a rasp in the voice which has a spine chilling vide.
THE TIMES ONLINE: If Claire Harman's pleasingly unstuffy chronicle of Jane Austen's reputation tells us anything it is that the “Lady”, as she titled herself, who wrote Pride and Prejudice has come an awfully long way since 1813.
THE MOSCOW TIMES: Ballerina Anastasia Volochkova announced Thursday that she will stand for mayor of the Black Sea resort of Sochi, bringing the number of candidates in the colorful election to 23.
THE MOSCOW TIMES: In uncertain times for art and the world at large, nothing is safe from speculation and doubt -- but doubt is not a word you associate with Francois Pinault. The 73-year-old's portfolio includes, luxury brands from Gucci to Yves Saint Laurent, a 100% stake in Christie's, the Chateau-Latour vineyard in Bordeaux and a palace in Venice to display his colossal art collection.
MOSCOW TIMES: Another world is developing on the outskirts of Moscow, one in which the skyscrapers, malls and highways of today have been replaced by wigwams, yurts, izbas and the world's largest oven. This "Ethnic World" is not a part of any green movement but a social statement meant for tourists' education and entertainment.
THE DAILY STAR From explicit articles about masturbation and homosexuality to columns about "My First Time," Jasad (Body) is out to shine a spotlight on Arab cultural taboos, and the glossy magazine that is already the focus of controversy.
THE DAILY STAR: The underworld population conjured up by Lebanese playwright Issam Abu Khaled has hopes and fears, shares laughter and tears. Most important, though, his characters poke fun at the "soulless people above." The underworld is a place where all masks fall and all things are exposed.
BLOOMBERG: Murder in a bread line. Migrants drowning at sea. Solitary death in an uncaring city. Such kinds of events draw laughs on a Cairo stage.
THE GUARDIAN: It is regularly voted one of the best books of all time, a timeless piece of satire which has never gone out of print in the 64 years since it was first published. But when George Orwell sent Animal Farm to TS Eliot for consideration, the poet - then a director of Faber and Faber - rejected it as "unconvincing".
This incredible $50,000 prize enables the winning filmmaker to create a short film to a maximum length of 10 minutes on 16mm film with the best facilities in post-production offered by Deluxe Melbourn
Creative being a word which advertising people even wear on their jarmies in bed, this award inside the industry will be polished carefully in its special possy behind the receptionist.
In the September 1957 edition of Radio-active, the ABC house magazine, experienced script editor George Kerr offered some sage advice, which involved cats, costumes and the particular meaning of story
Alchemy Television in the US has taken a format option on Geoffrey Atherden's 1984 comedy series Mother and Son (42 x 30’). This is not the first time that the veteran series has staggered back to l
Scandinavian distributor Nordisk Film TV World has gone into partnership with Australian producer TimeMachine Films. Nordisk will represent reality show Who Dares Wins and a variation called Get Out
This morning, Shaun Brown announced a second brand new digital TV channel for SBS, but used the independents as pawns in his funding game.
While the Australian public votes for the Gold Logie through April, causing couch-fights all across the country, the nominations themselves have now closed and been announced. You may have heard of so
Eric Bibb has enough of a following in Australia to fill Melbourne’s cavernous Palais Theatre and to be begged for encore after
encore. But that’s getting ahead of what was, on this occasion, a long, generous night of performance.
The National Museum of Australia’s annual Behind the Lines: The Year’s Best Cartoons portrays not only the best of Australia’s political wit but also attempts to reveal, highlight, understand and portray the changing face of Australian politics since the Coalitions defeat in 2007.
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