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A festival in Melbourne’s inner suburbs is bringing the community together after-dark to experience installations in an enchanted neon-lit garden.
30-years of shaping disability access programming for America's largest cultural institutions brings lessons for change and a strong read on today's shifting tides.
Writing about the arts is changing at an exponential rate with constant disruption in the media landscape. Gina Fairley shares her insider knowledge on getting coverage in today's arts press.
Blak Douglas wins the Kilgour Portrait Prize, Liminal Fiction Prize announces its longlist, finalists announced for Arthur Guy Memorial Painting Prize, plus more.
Edited by Benjamin Law, this collection of over 50 voices offers solace for all those who knew the graze of safety in silence.
An elegant portrait of Adam Goodes was the best MIFF opener in years ahead of its national release.
Collecting important industry data, the survey must be completed by Friday to go in the running for a Screen Forever Pass.
Hobson’s dense and entertaining literary thriller wrestles with what it means to be good.
So you’re thinking of self-publishing the novel that’s burning a hole in your bottom drawer? Here's 10 tips to do it right first time.
The ABC brings 80s pulp crime classic to the small screen with larrikin energy but mixed results.
After 42 years advocating for the dance sector, National Ausdance has announced its closure. While state organisations will remain, there is a gap at the national level.
Films for kids and Big Boys dominate, but adults went for La Binoche and Soccer this weekend.
This sculpture event is a stellar example of how philanthropy can help artists take a deeper dive into thorny topics, while growing audiences through the popularity of sculpture.
Film festivals are an endurance test but there are techniques to ensure you get the most out of the opportunity.
Lab Theatre’s two-hander explores strained and hollowed-out domesticity.
Devised by people experiencing homelessness, this immersive experience reveals the Orwellian dimensions of social services.
Slingsby Theatre Company’s adaptation of Oscar Wilde takes small audiences on a rich journey.
Gender diverse and non-binary creatives share tips on ways to make a workspace safe, inclusive and respectful.
Hyperlocal, decolonial, diasporic, idiosyncratic – how Australia’s international arts programming is changing.
The artistic directors of 22 Australian companies have expressed grave fears for the future of Playwriting Australia.
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