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Artist Andrew Bairn tells hist story of knocking on the doors of the artistic establishment based on an extract from We Are Here: Stories of Home, Place & Belonging, which featured stories from people who've experienced homelessness.
Opinions & Analysis
This is a massive project and offers a massive rethink in the narratives we construct and hold around contemporary Pacific practice.
New board members for Windmill and Bus Stop Films, and more.
Rachel Okine is observant, strategic and numerate. Can she harness the energy of a screen generation in its prime?
The latest festival and exhibition announcements, opportunities for artists, and a summary of arts news from around the country.
Writing messages to those we care for fosters a sense of relationship, connection and well-being through literacy, creates meaning and memory, and triggers the release of dopamine in the brain.
Tight, inspiring initiatives in comedy, series and mobile. And Queer Screen's Mardi Gras, Transitions, Women in Film and a sadly treated film about happiness.
Monica Byrne’s play is a subversive, feminist take on the familiar Catholic schoolgirl setting.
Australian filmmakers have something for everyone, however swooning or cynical you might be feeling.
By combining Nielsen and Oztam figures in January, we encounter the resilience of old-timey television.
What's going on behind the scenes at the Australian International Documentary Conference? Here's a glimpse of the working parts through CEO Alice Burgin.
Hope and grief simmer at the centre of two extraordinary live works by Indonesian filmmakers premiering at Asia TOPA.
Director Kasimir Burgess creates a surprising portrait of the controversial but celebrated cartoonist.
While we watch the culture warriors attack the ABC, the divisions in Britain are creating a toxic environment even at the audience level.
A solution-focused festival is more necessary than ever, says Daniel Simons who talks us through this year's highlights.
Parrtjima 2020 is at once topical and timeless, as it shares the stories of our Red Centre through light sculptures, talks and music which connect culture and landscape.
Australian craft and design centres are tired of falling between the conversation cracks; they have rebooted their network for greater visibility and value within a broader arts sector that is increasingly more dynamic.
Aotearoa/New Zealand and Pacific Islander filmmakers are brought into the fold in 2020, with highlights including Jane Campion's celebrated shorts.
Beginning a writing career later in life can bring many advantages, especially when you’ve come from a completely different career path.
Curator of the Adelaide Biennale, Leigh Robb gives us a sneak peek into her exhibition, where the artists drag our contemporary monsters over the coals.
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