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After a draft set of terms, and extensive responses from interested parties, Screen Australia seems to have stuck closely to its original position.
Village Roadshow is investing in a new film and digital processing lab for the Warner Roadshow Studio on the Gold Coast, replacing the facility that Atlab (now Deluxe) closed last year. The new facil
The Australian Writers’ Guild (AWG) and the 2009 BigPond Adelaide Film Festival (AFF) are excited to announce the fourth winner of the prestigious INSITE biennial national competition for Un-produced
The most intriguing moments of 'Cherry Smoke' occur when the writing manages to tap into the younger generation’s obsession with longevity, self-importance and a capacity to recreate the world according to their own principles.
As one of the most influential songwriters of the last 50 years, Joni Mitchell has given a voice to people everywhere, creating the music that famously 'taught your cold, English wife to feel' (Love Actually).
Salim, a doctor and novelist, is cynical, hedonistic and in favour of US plans to overthrow Saddam.
The story starts off simply enough: Jim (Clayton Moss), a flailing artist, gets
dumped by his girlfriend Tamsen (Belinda Kirwan).
An award-winning audio-visual journey through the folk communities of six countries affected by the 2004 tsunami, mastered and enhanced at the EarthSync studio, India.
Fairey seeks a court order that the image, created in January 2008, doesn’t violate AP’s copyright. According to the complaint, Fairey’s work is protected by the Fair Use statute, which allows limited use of copyrighted material to make original works of art.
"One of the subtler pleasures of the movie Milk is its vivid portrayal of those small rooms where the conspirators of the gay liberation movement first came together. Sadly, one of those sanctums, the Oscar Wilde Bookshop, announced it was closing last week, after 42 years. As it happens, the place has a direct link to the film: Its founder, Craig Rodwell, was an early boyfriend of Harvey Milk, at
He liked to say that composition was the search for "the right wrong notes." What Foss really wanted was to make the unexpected seem inevitable.
The 34-story building, designed by the Dutch architect Rem Koolhaas and containing the hotel and a cultural center, is part of China Central Television’s new headquarters, an angular behemoth built to coincide with the Beijing Olympics last year.
Joel Birch drops letters like David “Son of Sam” Berkowitz fumbling with his fly in the bushes outside the first story flat of a living-alone female on international student exchange.
Here is a modest proposal: The federal government — which means you and I — should pump $62 billion into the nation's nonprofit cultural infrastructure. Crisis is a time for boldness, not timidity, and few recall an economic crisis quite like this one. So art museums, symphonies, theaters, dance companies and other cultural centers should get a huge infusion of funds.
Less than two years after Sony Music Entertainment made a daring move by hiring the legendary music producer Rick Rubin to run its Columbia Records label, the company is learning a lesson from baseball: sometimes the best players don’t make the best managers.
Artist profile - featured artist: Yayoi Kusama. Showing Mirrored Years exhibition at the MCA (Museum of Contemporary Art)Sydney, Australia.
Now part of a larger corporate entity, facing both a parlous music industry and the looming prospect of Mr. Lundvall’s retirement, Blue Note has entered a pivotal moment in its history.
What with the banning of photos of kids, galleries and dealers going bust, and artists’ protests over the flawed resale royalty model, the year seems to have started with a bang.
A weekly list of top-selling 'purely classical' music means the likes of Von Karajan can finally step out of Katherine Jenkins's shadow.
After a week of rumor and speculation, the National Gallery of Art in Washington confirmed that it was the buyer of “Bagpipe Player in Profile,” a 1624 painting by the Dutch master Hendrick ter Brugghen.
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