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Sydney’s Powerhouse Museum has revealed the 11 creatives who will take part in its inaugural NSW creative industries residency program.
Joyful cover band brings a life-affirming experience to drought-stricken regional NSW.
Here’s a different way to look at the annual Screen Australia Drama Report, all in the name of optimism.
World-class illuminated sculptures drive visitors to the Top End and capture the unique colours of Darwin.
Palace Cinemas is the largest exhibitor committed to arthouse film and therefore festival-driven Australian productions. Now it seeks some changes in its financial structure.
With a sensitive honesty, Dreyfus opens our eyes to the precious transition of boys to men.
A new website designed to help actors plan and prepare for a long-term career has been launched in Sydney.
A laugh-out-loud show from avant-garde Japanese theatre company Niwa Gekidan Penino.
The new Countess Report shows that independent sectors lead the visual arts in gender equality, while state institutions fall behind.
Phoebe Waller-Bridge’s one-woman show leaves you wanting more – so luckily there’s two seasons of the TV series too.
Taking on sexual harassment means acknowledging that arts organisations inherently work with power and this should be managed, according to NAVA's Esther Anatolitis.
Opinions & Analysis
David Darcy wins ANZ People's Choice Award, winner of Acqualand Sculpture award revealed, plus NATSIAA award winner announced.
How do we create intimacy in an audio story that is plausible, genuine and keeps the listener engaged? We speak with two producers about their podcasts.
Happy Sad Man's tiny team have accomplished something major in this understated documentary.
Our top picks and hot goss on what's new to Netflix, Disney+, Stan, Foxtel in November.
A unique creative hub, Federation University’s Arts Academy in Ballarat will train versatile and adaptable performers with skills that prepare them for the future.
Novels of this quality are a rare and pleasurable event.
The Ilbijerri Ensemble’s inaugural production revives the ghosts of Richard Frankland’s 2002 play.
Gripped by violent protests, the Chilean capital of Santiago has been buoyed by a creative outburst in the face of government curfews.
Australian economist and diplomat Dr Geoff Raby AO has gifted his collection of Chinese art to La Trobe University.
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