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Sydney’s Powerhouse Museum has revealed the 11 creatives who will take part in its inaugural NSW creative industries residency program.
Joyful cover band brings a life-affirming experience to drought-stricken regional NSW.
Here’s a different way to look at the annual Screen Australia Drama Report, all in the name of optimism.
World-class illuminated sculptures drive visitors to the Top End and capture the unique colours of Darwin.
Palace Cinemas is the largest exhibitor committed to arthouse film and therefore festival-driven Australian productions. Now it seeks some changes in its financial structure.
With a sensitive honesty, Dreyfus opens our eyes to the precious transition of boys to men.
A new website designed to help actors plan and prepare for a long-term career has been launched in Sydney.
A laugh-out-loud show from avant-garde Japanese theatre company Niwa Gekidan Penino.
The new Countess Report shows that independent sectors lead the visual arts in gender equality, while state institutions fall behind.
Phoebe Waller-Bridge’s one-woman show leaves you wanting more – so luckily there’s two seasons of the TV series too.
Taking on sexual harassment means acknowledging that arts organisations inherently work with power and this should be managed, according to NAVA's Esther Anatolitis.
Opinions & Analysis
David Darcy wins ANZ People's Choice Award, winner of Acqualand Sculpture award revealed, plus NATSIAA award winner announced.
How do we create intimacy in an audio story that is plausible, genuine and keeps the listener engaged? We speak with two producers about their podcasts.
A focus on access, environmental sustainability, and programming that grapples with some of the great moral questions of our time: the 2020 Adelaide Festival promises to provoke and inspire.
Eleanor Gordon-Smith is a philosopher with the ability to convey complex ideas with exceptional lucidity.
Things get nostalgic at the box office this week, in more ways than one.
The latest launch of a George Johnston and Charmian Clift project pushed along by a serious literary prize.
Like protest or activist art, placards convey a political message to large audiences at protests and relayed through media to the world. But are they art?
The runner's job is a great starting point but success depends on organisation and learning a lot quickly.
Happy Sad Man's tiny team have accomplished something major in this understated documentary.
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