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Elizabeth Grinston is to be first General Counsel for Screen Australia. She comes from Gilbert + Tobin (a law firm) which is good, because for one heart-stopping moment we confused it with Tobin Brot
One almost feels sorry for post-production houses. Too often filmmakers come to them too late in the process, too late in their thinking, and too late in their budget. Plus, the best post companies
Invigorated by digital technology and interested exhibitors, the long form documentary is The Form That Will Not Die. For the best of reasons: all documentary makers secretly want to make them. This s
Megan Doneman's feature-length documentary Yes Madam, Sir, about India's first female police officer, has picked up a couple of awards and a lot more distribution deals.
Film Australia refugee Mark Hamlyn has a new home and a new job, in the newly-created position, Head of Specialist Factual Television at high end documentary producer ScreenWorld.
In simmering summer, when most of the industry are on holidays, determined filmmakers on low budgets venture out to make the most of the lull in production. Bookings are easier to get, discounts are e
EDNA, the Emerging Doco-makers Network of Australia, is a new version of an old challenge – to support filmmakers. How does it fit with the lessons of the documentary community's own history?
Imagine trying to pitch a documentary that was going to take five or seven years to cover the story. In an age where productions need to get done and out there as fast as possible, that kind of timef
The glory may be on the teev, but the money comes from teachers, at least if the policy settings allow it to happen. And filmmakers are smart about the needs of the education sector.
What really goes on behind the glazed patient stare of the pitched out commissioning editor? Know these rules, and you start to play the relationship game which underlies everything in the documentary
Moderated by Trevor Graham, Rachel Perkins and Roshelle Oshlack revisited the long, torturous journey to a documentary classic - a journey which would have been worth an observational doucmentary in i
Following the outstanding critical and audience acclaim received in Australia, SBS Content Sales today announced that the landmark documentary, First Australians, will head its MIPDOC and MIPTV 2009 s
When it comes to digital services, the BBC just gets it. The British broadcaster has for several years been charging headlong into the unfamiliar territory of the internet and digital delivery, armed
While so much policy is about creating sustainable businesses with reliable filmmakers and grown up producers in control, the ABC has been harvesting the excitement of youth with Triple j TV docs.
Some AIDC sessions take delegates to the psychological process at the heart of the craft. Chester Dent, Producer/Director, from Ploughstar* in the UK is a master of the very peculiar relationship at t
What will be the influence of the Global Financial Crisis on the factual content production community? Nervously, we waited to find out, and see hope beyond the financial apocalypse.
Three talented animators from Sydney have won Australia's first mobile and online animation film festival with their short film, First Love about a cavemen finding romance in the ice age.
Chinese artist's parody of the great painting is now on exhibit in the Louvre.
A giant white horse was announced today as a new £2 million public art commission in south-east England dubbed the "Angel of the South".
Territory based director Warwick Thornton’s feature film 'Samson & Delilah' is set to premiere at the Adelaide Film Festival this Friday, 20 February 2009.
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