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Showing all news in Opinions & Analysis
Victoria’s Shadow Minister for the Arts and Culture responds to the first year of the Creative State policy and the recent State Budget.
Opinions & Analysis
Richard Moore, former Head of Screen Culture at Screen Queensland, explores the collapse of a broad-based international film festival in Brisbane.
We need to understand the failure of Catalyst in more complex terms than a zero-sum game of winners and losers.
Counting men and women in recent Directors' Guild nomination list is a pretty crude way of making a point - but Lisa French reveals it is also instructive.
There's a lack of input from people working in the arts joining to the decision-making bodies.
Measuring social impact in the arts will elevate the sector and create new opportunities but we need complex, multi-faceted tools.
Childlessness is often regarded as a necessary sacrifice for a creative career, especially for women.
The NGA wants to push contemporary dialogues but it is late to the party with its focus on Filipino art.
The stories and voices excluded from the cultural mainstream are precisely those we need to be seeing and hearing in order to grow new audiences and cultivate a well-rounded civil society.
Its agenda is laudable – to give more space to Australian artists at our majors – but does it fall down when a stronger lens is put to The National?
Festival audiences become part of a collective experience giving individuals a sense of community all humans need.
The number crunch on artists representing Australia at the Venice Biennale shows two prominent galleries greatly dominate selection.
There are important lessons to be learned from the 22-month campaign that culminated this week in the end of Catalyst and the return of funds to the Australia Council.
The sector is right to celebrate the demise of Catalyst and the return of money to the Australia Council. But how much money in real terms, and where will it be spent?
Screen Australia opens up another front in its campaign to change the makeup of the creative sector.
An Indigenous Festival director is using the psychology of hope to reframe cultural exchange.
An exhibition of digital art prompts an environmental scientist to question the changing meaning of artistic creation.
Are we past the gender pigeonhole? Women artists are divided as to whether the adjective is helping or hindering their careers.
Once more unto the breeches: a feminist mounts a defence of romance fiction, renovated for the 21st century.
A great festival success deserves stability. Instead Wangaratta Jazz has lost both triennial funding and visionary leadership.
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