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Arts access sector and disabilities-led conversations need wider sector commitment beyond ticking boxes to create genuine spaces at the table.
The Bard’s most farcical play was a flawless choice for TheatreiNQ's pandemic-aware return to the stage.
First week out Slim and I gets 117 screens so it has definitely been on offer. But it could just be a sleeper with friends in the bush.
Kylie Maslen’s 'Show Me Where it Hurts' is a provoking and much-needed contribution to the conversation about invisible illness.
Using her own experiences as a lens, Eula Biss interrogates our psychosocial relationships with money, wealth and consumption.
This non-fiction work takes a social, historical, and ecological look at the world's favourite insect, and the little known figures who have studied them.
Three tough Australian feature films are making waves on the international arthouse circuit.
Arts workers are heavily reliant on JobKeeper (if they're lucky enough to have their work recognised by the program) with JobSeeker helping many artists pay the rent. What happens when payments are reduced?
Information + Cultural Exchange appoints new Producer, First Nations Programs; new staff join Writers SA; Artistic Director and Curatorium announced for the 23rd Biennale of Sydney, and more.
Facilitation and strategy, nurturing artists' ideas, and examining challenges at a macro and micro level simultaneously: arts administrators are the unsung heroes of the Australian arts sector.
New conversations about paying for online events and how habits are changing raise ongoing questions for the arts.
The corporate art collection may have changed since the ‘greed is good’ days but it still has an important role to play in terms of branding and wellbeing.
We're spending more time than ever in front of screens and devices, so how do you wind back and stop comparing you life to others on social media?
Ross Emery is a tentpole cinematographer and international Australian. His latest work is Raised by Wolves, part of Ridley Scott's extraordinary world.
Adelaide audiences enthusiastically embrace Australia’s first mainstage post-COVID production.
In the second Recovery Roadmap Webinar, jointly presented by ArtsHub and Creative Victoria, we learned how regional arts organisations have adapted to digital delivery and expanded their audiences in doing so.
Queensland Theatre is rehearsing its first production since March, while plans for the latest Queensland Cabaret Festival and a new Fringe Festival in bayside Brisbane have also been announced.
Anita Johnson Larkin has the capacity to transform the autobiographical into the multi-biographic, sharing intimate stories through objects discarded by others, reconfigured into sculptures.
Laurence Billiet's tender insight into one of our most celebrated sports stars is joyous and timely, says First Nations critic Bryan Andy.
There is clear evidence that the kinds of culture Australians have access to depends on their social backgrounds, new research from Western Sydney University reveals.
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