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How do we create intimacy in an audio story that is plausible, genuine and keeps the listener engaged? We speak with two producers about their podcasts.
A focus on access, environmental sustainability, and programming that grapples with some of the great moral questions of our time: the 2020 Adelaide Festival promises to provoke and inspire.
Eleanor Gordon-Smith is a philosopher with the ability to convey complex ideas with exceptional lucidity.
Things get nostalgic at the box office this week, in more ways than one.
The latest launch of a George Johnston and Charmian Clift project pushed along by a serious literary prize.
Like protest or activist art, placards convey a political message to large audiences at protests and relayed through media to the world. But are they art?
Happy Sad Man's tiny team have accomplished something major in this understated documentary.
Our top picks and hot goss on what's new to Netflix, Disney+, Stan, Foxtel in November.
A unique creative hub, Federation University’s Arts Academy in Ballarat will train versatile and adaptable performers with skills that prepare them for the future.
Novels of this quality are a rare and pleasurable event.
The Ilbijerri Ensemble’s inaugural production revives the ghosts of Richard Frankland’s 2002 play.
Gripped by violent protests, the Chilean capital of Santiago has been buoyed by a creative outburst in the face of government curfews.
Australian economist and diplomat Dr Geoff Raby AO has gifted his collection of Chinese art to La Trobe University.
Jaha Koo’s one-man, three-rice-cooker show offers insight into the recent struggles of South Korea.
The supported studio model is one way of tackling some of the barriers artists with disabilities face in pursuing their goals.
Contessa Treffone plays more than 30 characters in this breathless foodie comedy.
Remembered for her integrity and generosity as much as for her long stage and screen career, the actor Anne Phelan has died aged 75.
The popular musical, set in Britain during the Thatcher era, is back to impress new audiences with its uplifting story.
In a twist, the world’s most famous artworks come to life in Rossini’s rarely performed opera.
As he leaves his role as AD of Queensland Theatre, Strong reflects on his triumphs and regrets after four years of leading from Qu
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