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A joyous version of the Gilbert and Sullivan musical that most fans will love.
Slowly Netflix is revealing itself to the sector. The contingent to Screen Forever carried the brand high and attracted a lot of attention.
Opinions & Analysis
An extraordinary performance showcasing not only Mojo Juju’s voice and talent but also the stories behind the songs.
Setting an agenda to support contemporary practice, the Powerhouse has awarded six $30,000 commissions to Australian glass and ceramic artists.
The Riverside Yarns presentation offered intimate and generous storytelling but lacked a centre of gravity.
Instead of a single artistic director, the 32nd New Zealand Festival of the Arts features three high profile curators, Bret McKenzie, Laurie Anderson and Lemi Ponifasio, each programming a separate week.
Burnout is less about time, and more about how you manage your sleep, what you eat and simply, your equilibrium – essentially the fuel that keeps you pumping.
Indigenous voices are finally being acknowledged as important voices in Australian galleries and museums.
A survey of 2,208 arts and cultural organisations across Australia has revealed that private sector support for the arts is on the rise.
The amiable mates follow their reliable recipe for spontaneous comedy.
Embracing curation as activism, this exhibition invites both artists and viewers to disrupt the ‘master’ narrative of Western art.
Shivanjani Lal receives 2019 Visual Arts Emerging Fellowship, Deborah Cheetham AO wins $60,000 Melbourne Prize for Music 2019, applications open for the 2020 Kat Muscat Fellowship, plus more arts news.
UNSW Art and Design’s revamped Design degree prepares students to be innovative thinkers, makers and entrepreneurs.
This week at the Aussie box office we receive an object lesson in the disparity between commercial success and critical acclaim.
Streaming contracts seem to be turning nasty, and composers are feeling the pressure internationally. Here is Caitlin Yeo, president of the Screen Composers' Guild.
Australia has not one but two awards systems to judge films from the Asia-Pacific region, from both APSA and AACTA. How do they line up?
As the sharks of Netflix and Disney+ circle, the Good Ship Aunty manages to repel boarders and somehow find new islands of audience, according to MD David Anderson.
A good grabby story is the common essential, but details are different when you're developing locally or internationally.
A Symphonic Universe brings together rockstar physicist Brian Cox with music that evokes the stars.
The Museum of Australian Democracy’s new permanent exhibition looks at how we all have a role to play in supporting fair and fearless reporting.
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