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Filmink Presents distributed the first Australian film since COVID-19 arrived. It is a modest kid's film which is taking advantage of the void in product.
In the first of our new webinar series, presented in partnership with Creative Victoria, Patternmakers’ Tandi Palmer Williams discussed the latest data obtained from the Audience Outlook Monitor.
Claims and counter-claims abound, with MEAA saying 25% of all staff across the company will be made redundant, a claim Opera Australia disputes.
From group drawing to dissident behaviour, stealing innovation to tricking the brain into being creative, Nicole Velik of The Ideas Bodega offers techniques to super charge your think tank.
Specialising in underwater footage, the Cairns-based company has a new lens that helps them move onto land.
What does the future hold for us in living with COVID? In the final Wellness and Recovery Resource article Trisnasari Fraser looks at philosophies of the past – Buddhism, Stoicism and Existentialism – to find ways of coping with an uncertain future.
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The online program has opportunities for industry and audience alike, including esports, conferences, gaming club, and a talk from 'Minecraft''s Lena Raine
Cinefest Oz shorts awards reveal a passion for the fantastic, from outer space to the world's strangest pet, and the true origins of public servants.
Mykel Dixon's creativity manual asks the reader to record how they think they will be remembered after they are dead and buried.
The Federal Government has launched a Consultation Paper and is calling for submissions to an Indigenous Visual Arts Action Plan to reshape the future of the sector and its economic viability post-pandemic.
In 'The Convict Valley', historian Mark Dunn seeks to tell the stories of those typically overlooked by Australian history.
'The F Team' presents a perspective on Lebanese Australia that is an overdue addition to the #LoveOzYA bookshelf.
In the future, generations will need the means to understand how the coronavirus pandemic affected our world, so while museums are losing millions every week, they are committed to preserving coronavirus artefacts.
Creating the new home of Metro Arts was ‘seven months of building hell,’ according to Creative Director and CEO Jo Thomas. It opens just in time for Brisbane Festival.
The Arts Law Centre of Australia has expressed concern that creators will lose out under the copyright reforms set to be introduced by the Federal Government.
Indigenous Literacy Day goes virtual in 2020, with a live YouTube event featuring story-telling, singing and celebration featuring performances from Jessica Mauboy and Archie Roach, among others.
With the announcement of the Parliamentary Inquiry into the Arts during COVID, you might be wondering how to make a contribution or even if there is any point.
Agility, adaptability and upskilling are all part of the process, but gifs are important too. Lessons learned from Melbourne Fringe's first foray into presenting a festival digitally.
With a top drawer international career for over a decade, Sophie O’Brien takes on the position as Bundanon Trust’s Head of Curatorial and Learning. What does that perspective offer this historic site as it prepares for its future?
James Woods is piling up the short films, has tried the festival route, and is now about to release on Vimeo, which at least gives him longevity.
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