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AFL star Adam Goodes, screen matriarch Freda Glyn, Juliette Binoche, Holliday Grainger, Dev Patel and a dog called Money glide onto the silver screen. It's SF 2019.
Remembered for his encyclopedic knowledge, impeccable style and wit, Martyn Cook is a great loss to the international fraternity of decorative arts and antiques.
Victoria is building a new Creative Industries Advisory Group, and wants people working in all creative sectors to put themselves forward.
It's more than just Budget 2019 - we wrap this week's art news you may have missed in the media storm.
Master players Bunk Puppets certainly know how to tell a story and then some.
The Last Five Years is a production for lovers of intimate musical theatre experiences.
Is it advertising, sponsorship or just savvy thinking? Media company Smartbox launches video art project across 200 Sydney loos.
You Chose Poorly is comedy that makes you think.
Set aside some time and nominate the important person in your life who helps you make great art happen.
Winners announced for Dobell Drawing Prize; NGV Architecture Commission announces winner, National Photographic Portrait Prize, among others this week.
No new Australia Council funding despite expert agreement and industry push - NAVA's Esther Anatolitis responds to the 2019 Federal Budget.
Opinions & Analysis
This production is all about the dance: the motion and the meaning. Brilliant dance. Feverish dance.
The criticism plaguing VR is that while it is great technology the content is dismal. Artists are pushing the form through new commissions at ACMI.
The Morrison Government’s 2019-2020 budget highlights the Government’s lack of vision for our cultural sector.
The ABC and SBS stay stuck; the NFSA cops a loss; ACMA gains; Austrade could work better for the sector. But the announcements are basically deceptive.
This dystopian novel does not make for easy reading because it portrays such a horrible world for so many of its inhabitants.
Anyone interested in the written word will have a number of favourite publications about writing.
This World War II drama turns a distinctive slice of history into a clichéd and problematic love story.
You’re terrible, Muriel. Terribly underwhelming, that is.
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