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Designed to target gender-based violence and discrimination in the screen and games industries, the ScreenMATE Bystander Program runs in Melbourne in November.
Very different visions of Australia pile onto our screens, though you may have to search to find them. Plus festivals like a chocolate box of surprises.
Mirrah Foulkes' delightfully dark feature film debut gives a feminist twist twist to the squabbling sideshow couple.
A powerful subversion of craft as a vehicle for activism and social change.
The Production Company bow out at the top of their game with the glorious Ragtime.
Grahame Cooper’s intellectual curiosity is paired with his white-hot sense of humour in this one-man show.
Rosalind Hall and Steve Law's electronic music compositions are a stellar example of the talent coming out of Melbourne Electronic Sound Studio.
Moving properties from public hands to private developers radically shifts who has access to these spaces and the culture they help create.
A tribute to the contemporary realist, Patrick Carroll, who died tragically in a Central Coast fire.
Opinions & Analysis
Given the current state of arts funding, Artistic Director Luke Kerridge is taking hope from the turbulent birth of Barking Gecko Theatre in 1989.
This gutsy and timely exhibition rethinks textile art, but more so demonstrates how our state and regional galleries can work together to national significance.
Sculptor Andrew Rogers has gifted 88 artworks to the Deakin University Art Collection – the largest gift in the gallery’s 45-year history.
A new pairing of Australian innovation and museum sector know-how is set to have a global impact.
Three major fashion exhibitions are sparking a commentary around how we construct female identity, and how fashion has historically advanced the role of women.
As SPA focuses on SVODs in Screen Forever next week, an RMIT report lays out the realities of Australian content. And the need for family friendly creativity.
Despite living in an age of uncertainty, Australia Council CEO, Adrian Collette is convinced that there is reason to be hopeful. His keynote address from Artstate Tamworth explains why.
With Samantha Lang as head of development, Garth Davis and See-Saw are formally joined at the business hip.
Looking back over 30 years of Brisbane's contemporary music, this innovative exhibition has plenty of earworms along with the culture that surrounds the scene.
Parasite has sucked the arthouse world dry and hasn't finished. Ride Like a Girl is still out in a mad counter. Little Monsters is being unfairly dismissed.
Jillian Murray inhabits Joan Didion with absolute conviction in this small but beautifully crafted production about the intellectual dislocation of grief.
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