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Grace and timing and humour and beauty. Humans can be appreciated on many levels.
The death of Martin Armiger in his French paradise, surrounded by love, brings peace but a huge sense of loss.
The Stella-winning novel, inspired by Heide artists, will be a UK/Australian co-production between See Pictures and Apogee.
The holidays are coming around, and we're ready to kick back and relax. Let's look at what's on while you're off.
Screenhub caught up with digital environment designer Su-Yiin Lai to talk about the speculative architecture, videogames, and working between disciplines.
With hundreds of performances and events in Australia, choosing the ones to see isn't always easy. Here's a look at some of the best performing arts' 2020 seasons.
Politics seeps into everything this week, from dystopian drama to Briggs' music video and a fun little Donut game.
Witty, thoughtful, totally self-confident, a champion both of popular culture and serious criticism, a citizen of the world and a walking bag of us, Clive James has finally gone silent.
Spoilt for choices when it comes to picking what to see in next year’s queer arts festivals? Let us help you choose.
IMAX production? HK legals change for screen sector, Alibaba uniquely creative advertising beats all obstacle.
In another ethical win for the NGA, three Indian sculptures have been repatriated on the basis of fresh evidence in the ongoing Kapoor case.
Reading and writing can prevent cognitive decline.
The fourth edition of the biennial regional festival Cementa has just wrapped up, but for a post-industrial town the event misses its context and struggles to include residents.
Opinions & Analysis
Musicians, visual artists and dancers are among those to receive funding through the latest Creative Victoria VicArts grants program.
Based in the regional NSW city of Albury, the Flying Fruit Fly Circus has become a remarkable Australian success story.
The Chinese-speaking market is perhaps the greatest untapped audience for the arts. Charmaine Wong of Think China Australia tells us how to reach this growing market.
In less than five years, Stan has spent $55m on Australian content, is making a profit and believes it has a headlock on the future. Here's how.
Screenhub brings you this week's box office biz, from stoned teens to snow queens.
Sydney Theatre Company presents a savagely funny black comedy that speaks of camaraderie, cruelty and otherness.
Bayside Gallery reminds us that an Acquisition Prize is about more than announcing the winner; it’s about a continuum that offers another layer of engagement, from a professional nod to public programming.
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