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Helpmann Awards nominations, Adelaide Fringe releases record breaking figures, winners of TAFE NSW Art Prize announced, and more.
Emotionally harrowing, richly textured and politically relevant, Chernobyl champions truth-telling - as long as it makes for a good story, says Mel Campbell.
The surprisingly modern Fourth is considered by many pianists to be the most beautiful piano concerto ever written.
Guest soloist Jayson Gillham shines in Beethoven’s First Concerto.
Touring a show, exhibition or event to a regional community can be a rich experience for both the artists and community members involved, but the most beneficial collaborations come when the motivation extends beyond just ticket sales.
The air ‘out there’ is brought into close proximity through this unique, all-consuming experience.
Podcasts have been booming with both Audiocraft and indiepodfest appearing to celebrate their various facets.
Ita Buttrose, Fiona Cochrane, Suzanne Baker, Sigrid Thornton, Ray Argall, Kerry Heysen-Hicks, Eric Bana and Ken Sutcliffe all have very clear beliefs.
Opinions & Analysis
This immersive sound installation in the depths of the Tasmanian bush is deceptively simple yet strikingly profound.
Because it can be a tricky thing, Kate Frykberg outlines her ground rules for boards working together in order to achieve positive and effective governance.
How an illuminating documentary about Chinese dissident Badiucao becomes a key story about our future with China.
Immersion challenges theatrical conventions – and raises pertinent questions around consent, reciprocity, and play.
From mentorship to resilience, patience and power, Gen X women have learnt to navigate our male-dominated world for change – and Gen Y are listening.
A new exhibition brings to light a Monet work previously unseen in Australia that launched the movement.
$20,000 podcasting fellowship announced; National Gallery of Victoria releases 30,000 images as part of Open Access Program, plus all the news of the week.
The new Capitol is restored as a major Melbourne icon as RMIT enhances a distinctive screen education strategy.
Screenwriter Giula Sandler gives us advice on contributing and collaborating without being annoying.
Collaborative art forms are all about finding the right people to work with, which is bad news if you're an introvert allergic to mingling.
A 20 per cent increase in core funding and some extra dollars for regional screenings acknowledge the growing importance of the biggest Sydney screen event.
Occupying almost an entire city block, the new precinct represents a significant partnership between private developers and DarkLab, a subsidiary of the Museum of Old and New Art.
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