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Chris O’Mara, one of the three founding partners of Freehand Productions along with Peter Abbott and John Gregory has decided to leave the company "consider other options". In this instance, the clic
Ths is truly strange. Mosquitoes in flight synchronise their wingbeats, so their characteristic whining noise comes from all of the buggers at once, in a kind of aural squadron. Enter musicians, armed
Bangarra wows us again with their visually thrilling, thought provoking double bill True Stories, a revival of their 2007 show.
'Autobahn' is comprised of six sketches of two people travelling in a car and the discussions that occur between them.
The six comedians had an approximate ten minute time slot for their individual acts.
'Make Me Honest, Make Me Wedding Cake.' is showing at The Stables, just behind The Stag Hotel in the East End of Adelaide.
Mozart Symphony No. 36 in C major, Linz & Requiem Mass in D minor Australian Brandenburg
Orchestra Featuring the Brandenburg Choir and soloists
Completed on the 28th of October 1787, 'Don Giovanni' was Mozart's second collaboration with librettist Lorenzo Da Ponte and is, at heart, a retelling of the Don Juan story.
'Night Breakfast' is a play inspired by the real life events of the 2003 Fairfield floods (1 – 6 December), and the consequent interviews that were conducted with older women living in the Darebin area.
I miss laugh tracks. I miss those big, cheesy, canned laugh tracks that earmarked the good bits of my childhood.
Me and the Grownups. Has ever a band been more aptly named?
It was cold, wet and overcast in Adelaide, setting the scene for 'The Grimstones – Hatched': a quirky puppet performance about a girl named Martha, who can see people’s dreams and, in an effort to lighten the heart of her grieving mother, she decides to use magic to make a baby brother.
Ever seen a one man band in the heart of Adelaide city?
The Rhino Room in Adelaide’s East End is the perfect venue for any one man comedy show and Lehmo’s Taxing Lyrical is no exception.
But for the tiered seating that retreats from the underdressed stage, when entering the theatre, one might make the mistake that they had walked in to a hybrid club filled with bohemian misfits and the intergalactic misunderstood throwing back shots of smoking liquor
Etched on the fringes of popular culture, the work of Alan Moore has long been regarded with critical acclaim, his graphic novels the subject of a devoted fan following.
Jeremy Clarkson (of the 'Top Gear' fame) all but steals the film in his few brief moments, particularly when he attempts to convince the sheepish-faced Bana that basically, “all muscle cars are crap”.
If you don’t know Yolande Moreau by name, you’ll likely recognise the star of 'Séraphine’s' distinctive phizog, the talented performer a veteran of modern European cinema familiar to Western audiences for roles in breakout French-set confections such as 'Amelie' and 'Paris, je t’aime.'
This second film from UK Production Company, Slingshot, examines the nature of love in a playful screenplay by Aschlin Ditta (Scenes Of A Sexual Nature).
'Binge' is a very realistic portrayal of the true story of the lives of six teenagers at a local Adelaide high school.
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