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From an online disability art portal, to a new ACMI x RMIT partnership, Womadelaide's 2020 program, DESIGN Canberra highlights and a major exhibition by Louise Weaver, we take a look at this week's arts news.
Soaking in high production values, pop culture winks and easy nihilism, Joker is all tricks and no fun.
A little touch of New York City, right here in the little smoke.
The Screen Forever program this year offers the drama of trying to be in two places at once in a packed program.
The Wake in Fright-lite struggles to balance the demands of a genre film with character-driven drama.
Krien’s debut novel explores trauma, reparations, and atonement, in all its psychological and political dimensions.
Two new screen productions – Ramy and Slam – tell stories embracing the complexity of young Arab and Muslim men in the US and Australia.
If our team is any indication the future is all online, from docuseries Rotten to Broad City, Fleabag, Vida, Russian detectives, Fortnite trailers and makeup tutorials.
Daryl Somers, Jason Bensen and cast show that The Producers is a story meant for the stage.
Heide brings together 12 ceramic artists and an architectural group to ponder the notion of the vessel.
A smutty and delightful performance that makes other cabarets look tame.
What do we tell young people in a time when hope for the future is in danger of extinction? Australian Young Adult (YA) authors discuss writing and responsibility in this dystopian age.
Opinions & Analysis
With the announcement last week of changes to the MPAF, Australia Council's CEO Adrian Collette responds congratulating the ministers involved.
China’s influence in the arts has long been tied to its political goals. Alison Carroll looks at how it has become more insidious in recent years.
Women in Music Awards, winner of Fauvette Loureiro Scholarship, Nonfiction Young Writers shortlisted and more accolades this week.
In his first program at Carriageworks, new CEO Blair French puts local Australian artists at the core with a focus on Indigenous and female artists.
Comedy and drama are skilfully fused with a sense of desperation in this UK/Australian ABC series.
Disney+ releases almost the full list of its (US) debut content. Maybe it wll be just too musty to rule the world.
Bernardine Evaristo, the first black woman to win the award since it started in 1969, shares the prize with Margaret Atwood.
Two incredible philanthropists are currently celebrating anniversaries of their collections and patronage – we take a look at their legacy back-to-back.
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