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Bill Collins, Mr Movies, was a prince of suburbia who inspired three generations and maybe shifted the direction of Australian cinema.
By axing daily political cartoons, The New York Times won't kill off cartooning. There is a healthy practice for cartoonists in an increasingly globalised, online industry.
Opinions & Analysis
Adelaide Festival has received an additional $1.25 million in annual funding over the next three years, with another $6 million injected into the state’s screen sector, while Carclew and Windmill face cuts.
The new Australian Netflix office is being talked up as a golden goose for producers, but the lobbyists think the bid bad wolf may be in town.
From group drawing to dissident behaviour, stealing innovation to tricking the brain into being creative, Nicole Velik of The Ideas Bodega offers techniques to super charge your think tank.
Indigenous professionals discuss what First Nations leadership looks like, and why it might offer a more viable model for bringing authority to an Indigenous-led centre.
Besides the new films, fest fever strikes Perth with a Revelation, and four fests exhaust Melbourne audiences in under a month.
Stan is drip-feeding episodes of this addictive lit-world rom-com, and that's Mel Campbell's only quibble.
What does the rising local headcount for the international streamer mean for the local screen industry?
This thinly disguised art biopic works directly against the complex ideas of its subject, says Adrian Martin.
A rock solid concept, great production design and expressive performances make this Australian Netflix film well worth your time.
50 projects across five states have received support through the Regional Arts Fund, including 10 First Nations projects.
The international growth of the BBC is part of a transformation in broadcasting networks which feeds on the need for truth and objectivity.
Strong performances can't quite conceal the fact that this production isn't entirely gripping.
An exhilarating, muscular performance.
Rory Godbold’s play illustrates the anguish of waiting to die.
In smaller cities, the departure of key individuals can send shock waves through the local sector, while the loss of young artists to interstate training institutions is a constant challenge.
From a Kenyan schoolyard, to making art on Berlin's streets, to Newcastle's sea pools, this exhibition reminds us that everything is a two-way street, and memory is strident but malleable.
A 22% increase in recurrent funding for arts, screen and culture has been announced today as part of the 2019-2020 NSW Budget.
Pinchgut Opera once again delivers a triumph in a minimal production of a rarely performed opera.
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