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The new Men in Black is on top here but sagging round the world as we wait for the Secret Life of Pets and Toy Story 4. Adults are depressed.
An amusing family drama by Andrew Bovell that shows the cracks in picture-perfect Australian suburbia.
It’s easy to let the trajectory of the aural-optical assault wash over you, but blink and you’ll miss it all.
New staff for PICA, a new Director for Bendigo Art Gallery, Melbourne Recital Centre's new Chair announced, and more.
A showcase of the extraordinary athleticism of Bangarra's dancers and a celebration of their rich history in this land.
We now have a proper industry wide code to deal with discrimination, harassment, sexual harassment and bullying.
Featuring works by a range of artists, A Forest is like a giant crumbling 21st century haunted house for adults.
Globalisation is not just about markets. As the Asia Pacific Screen Awards show, we can support our neighbours whose productions are truly difficult.
Announced as incoming Director of Bendigo Art Gallery, Jessica Bridgfoot has a clear vision for growing the gallery, despite her frightening start with the gallery.
In their rush for 'digital transformations', cultural institutions may have lost important experiences and missed their chance to be more than venues. Speaking at the Victoria's Creative State Summit, Seb Chan argued for a new approach.
Opinions & Analysis
From Queen's Honours to new cultural precincts in Tassie and conferences and festivals announced, it was a busy but short week for arts news.
Four very different experienced creators describe their way of working in the audition process.
A night of jazz brought intimacy and excitement to the museum space.
A night of jazz that says ‘jack of all trades, master of …’.
No one should like what they see in this shocking documentary portrait of racism in Australian sport, says Sarah Ward.
Award-winning comic web series Over and Out, Netflix sci fi movie I Am Mother and ABC iView's State of the Union are just some of this week's Hivemind picks.
Nathan Hollier moves from Monash to take the reins at Melbourne University Press.
The present day-with-a-twist anthology series is best when it avoids easy moralising and keeps us in a spin.
Hemsworth and Thompson are a good double act but not enough to save this sci fi comedy reboot.
Artist and curator Gary Carsley presents a political and aesthetic mash up of two of the great historical moments, but is it too much of a stretch?
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