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A powerful subversion of craft as a vehicle for activism and social change.
The Production Company bow out at the top of their game with the glorious Ragtime.
Grahame Cooper’s intellectual curiosity is paired with his white-hot sense of humour in this one-man show.
A tribute to the contemporary realist, Patrick Carroll, who died tragically in a Central Coast fire.
Opinions & Analysis
This gutsy and timely exhibition rethinks textile art, but more so demonstrates how our state and regional galleries can work together to national significance.
Sculptor Andrew Rogers has gifted 88 artworks to the Deakin University Art Collection – the largest gift in the gallery’s 45-year history.
A new pairing of Australian innovation and museum sector know-how is set to have a global impact.
Three major fashion exhibitions are sparking a commentary around how we construct female identity, and how fashion has historically advanced the role of women.
As SPA focuses on SVODs in Screen Forever next week, an RMIT report lays out the realities of Australian content. And the need for family friendly creativity.
Despite living in an age of uncertainty, Australia Council CEO, Adrian Collette is convinced that there is reason to be hopeful. His keynote address from Artstate Tamworth explains why.
With Samantha Lang as head of development, Garth Davis and See-Saw are formally joined at the business hip.
Looking back over 30 years of Brisbane's contemporary music, this innovative exhibition has plenty of earworms along with the culture that surrounds the scene.
Parasite has sucked the arthouse world dry and hasn't finished. Ride Like a Girl is still out in a mad counter. Little Monsters is being unfairly dismissed.
Jillian Murray inhabits Joan Didion with absolute conviction in this small but beautifully crafted production about the intellectual dislocation of grief.
Catherine Devine heads up Microsoft’s global strategy around digital transformation for libraries and museums.
Ahead of the NFSA's Digital Directions conference, screenhub talks to Jon-Paul Dyson of The Strong National Museum of Play.
Opera Australia extends Artistic Director’s contract, inaugural CEO at Major Events Gold Coast, new GM at Regional Arts NSW, and more.
The bestselling novelist and screenwriter of 'Clickbait', Netflix's first Melbourne project, talks story structure, terrible first drafts and the myth of overnight success.
Australian feminist horror anthology: from giggles to shivers in a scream of dark joy.
An artist known for challenging power structures and conformity, Marcus Fusinato pairs up with curator Alexie Glass-Kantor to represent Australia at Venice in 2021.
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